I would
like to challenge your preconceptions here. We all have them don’t we? We are trained to see and understand things a certain way
and should those ideas be wrong it is hard to undo them. When a society changes, when there is a paradigm shift in a society then those in power go to great lengths to keep from
losing the power to the new voice, to the whisper of hope.
We have
seen it in Egypt and Libya and now, because with the help of technology people
have a power to speak up like never before. To keep tabs.
Here are
two important human rights issues that I would like for you to be aware of as
well because they are happening in the art world now, simultaneously, and more
importantly because you will want to keep an eye on the canary even if you don't smell danger in the air. Artists and painters have always forged out ahead
and they alert us to that which we were previously unaware. Artists fill the role in our society
that the shamans did in ancient tribal societies. They’re the ones who go out and explore the abyss and come
back with wisdom and guidance and clues for the rest to follow. How should we treat our wise men?
Aside from
a few forgers I cannot recall any artist being “taken” for taxes in our
time. Financial trouble came to
Rembrandt and even Munch back in the day but in our time not even Damien
Hirsch’s empire is questioned.
Have you heard of anything like this happening in the art world in the
past 50 years? It has happened to
resellers of the art but to the artist? I do not know of any. Now we have two cases occurring simultaneously
with curious connections.
Both of
these cases are currently happening.
One in China involving the artist Ai Weiwei, and the other in Norway
involving the painter Odd Nerdrum.
Do you have preconceptions of them already?
Ask
yourself. Think about it.
Do you believe that those who are clearly gifted should be treated any more or less compassionately than anybody else?
There are long histories behind these cases which I will not go into here, other than to point out
some interesting observations that pertain to the comparison of the cases at
hand here.
We all know
about the record of human rights violations that China has, right? The US held trade sanctions against
China for 40 years because of what China did in Tibet. We have the preconceived notion that it
is dangerous for an artist to speak out against the power of the state. Over the years we know that many
writers and poets and artists have disappeared, Tienamen Square, child labor and still China continues to be the leading executioner of its own people in the
world. Green Peace reports that
there are 500,000 people incarcerated in China without having been
charged.
The imprisoned dissident writer Liu Xiaobo won the Nobel peace prize in 2010. There had been strong words between Chinese and Norwegian officials over the award and China was clearly not happy with the committee’s decision to award Xiobo. The Nobel prize, as you know was set up to be a non political award to those who help humanity. The committee is chosen by the Norwegian parliament and consists entirely of ex-parliament members.
The imprisoned dissident writer Liu Xiaobo won the Nobel peace prize in 2010. There had been strong words between Chinese and Norwegian officials over the award and China was clearly not happy with the committee’s decision to award Xiobo. The Nobel prize, as you know was set up to be a non political award to those who help humanity. The committee is chosen by the Norwegian parliament and consists entirely of ex-parliament members.
I understand that the Artist Ai Weiwei was considered for the prize but in the end did not get it. He was however, to fly to Oslo for the awards ceremony on behalf of Liu Xiaobo who is in prison for “inciting subversion of state power.” At the airport Ai Wewei was seized by authorities and not allowed to leave the country on grounds that it would be a “threat to national security”. National security? An artist? A peace prize? Yet another story to back up our existing idea of what free speech can cost in China and of how valuable it is to us.
Around this same time, 2010, Ai Weiwei’s school, which he had been asked to build by the city of Shanghai was torn down as soon as it was completed, by the same officials who supervised its construction, on grounds that it didn’t meet code. It is understandable that this artist feels passionate about giving the finger to the establishment. Who can’t relate to that? We believe that an artist has a right to peacefully say and do whatever it takes to get his point across, right? Isn’t this why Ai Weiwei has been shown so much support? For being brave enough to stand up to the establishment?
In March of
2011, after 9 years of investigation Odd Nerdrum was notified that he was to go
on trial for tax fraud to the tune of 14 million NOK which is $2.5 million
US. He was notified that the trial
would be on Aug. 2, 2011 in Oslo.
Normally on Aug 2nd, in Norway, it is a time of national
holiday. The court convened a week
earlier than usual to hear the case, while most of the country was still on
vacation. It can be noted that
Norway is the only country in the EU to be able to investigate an individuals
tax affairs back so long. In other
countries it is 7 years. They took
the maximum amount of time possible which, think about it, is a sort of
torture. To tell a man he is being
watched and then not say anything about it for 9 years until one day…
On April 3rd,
2011 the artist Ai Weiwei disappeared for 81 days. He was held by Chinese officials and only after he was
released was he eventually charged with tax evasion in the amount of 15 million
yuan. $2.5 million US. The same sum as in the Nerdrum case.
During Ai
Weiwei’s disappearance there was an online petition set up and an international
internet campaign to free Ai Weiwei raised hundreds of thousands of
signatures. He received
endorsement from the Guggenheim, the International Museum Society and many
hundreds of others. There were
articles on CNN, the BBC and news sources around the world and even Secretary
of State Hillary Clinton spoke out on issues surrounding the case as did
Norwegian Foreign Minister, Jonas Gahr Støre. He said, just days before Nerdrums trial, that the the
Chinese authorities must substantiate their charges against Ai Weiwei with
evidence. Days later the greatest
painter in Norway was sentenced to two years in prison, without the right to
paint and that decision was made by a couple of people in a room closed to
press (unusual), where key pieces of evidence were not allowed to be presented
and elements of the prosecutions were fabricated. That ruling came just 10 days after the attack
on the prime ministers office and the massacre of dozens of children in Norway
last summer. Indeed unfortunate
timing to be before the judge, back early from such a summer vacation.
Nerdrums
lawyers immediately appealed the case but only 12% of such cases are granted an
appeal in Norway.
Why do you
think the outpouring of support for Ai Weiwei was so large? Is it because so many
people like Ai Weiwei’s work? Is it because people are told that they like
his work? Is it because we
consider it important or does it just fit in with the preconception of how
dissidence is and should be? There, in China, that is where people are repressed for having a voice. How could such a thing happen in
Norway?
Whose work do you like?
Whose work do you like?
Ai Weiwei’s
work is varied but consists of painting over or smashing 2,000 year old vases
on the floor, flipping off the Eiffel tower as well as other symbols of establishment as well as sharing pictures of himself naked on the internet with strategically placed
stuffed animals. A national security threat? Perhaps. If you
don’t want the people to be able to do what ever the hell they want to do. Or to paint the way they want to.
One of Odd’s
recent paintings portrays his twin daughters together as one in the landscape with
the golden light upon the sides of their beautiful faces. Another one is of a girl signaling with her hands at the
edge of the forest. There is a new
self portrait and again we look over his shoulder at the sunset. Do we tire of the golden hour?
In 2011 Ai
Weiwei was runner-up in Time Magazine’s person of the year award. First place went to “the
protester”. If the protestor
is so newsworthy I would think that the media would jump on a story about the first and only Political art prisoner in Europe. Here, in our time,
living in a democratic society, a brilliant painter makes claims of human rights violations on
National TV, but is censored for it. After 10 years of not granting an interview to Norwegian media because of the way they twist words, Odd Nerdrum went on a popular show, Skavlan, which everyone is lead to believe is a live show, to talk about his case. So he thought. In fact over 6 minutes of discussion concerning Nerdrum's perspective on the case was edited out. On that show the international best selling author of Shantaram, Gregory David Roberts offered to to serve Nerdrum's sentence for him because he believes Nerdrum's work is that important.
According to the Global Times, a State oriented paper in China,
supporters for Ai and other dissidents are just a tiny minority who do not
represent the wider Chinese public.
"For 30 years, Ai Weiweis have emerged and fallen. But
China has kept rising despite their pessimistic predictions. The real social
trend is that they will be eliminated in the rising process of China,"
said the commentary. And still the
international community pours out support for this man without question as to
whether he is guilty or not. Out of all the articles I have read on the
subject, only one or two even address that issue. Apparently he may have been made to confess under torture or
threat of torture. Silence.
Due to this
international pressure Ai Weiwei was granted a review of his case on Jan. 6,
2012, and Nerdrum was granted the right to appeal two weeks later.
Norwegian media says about Nerdrum that he is not important and
only known in Norway where the state sponsored papers proclaim his guilt
endlessly in spite of the fact that the case is set for retrial. Clearly this is due to
reasonable doubt about the first trials outcome. Article after article appear with his
face and the verdict of guilty. If
they say it often enough will the people come to believe it and accept it regardless of what they know about Nerdrum. Has this happened to you?
American
Artist Magazine ran an article titled “the Nerdrum Affair” by Allison
Malifronte in the Jan. 2012 issue and in it were statements of support from
Nelson Shanks of Studio Incamminati in Philedelphia, Daniel Graves of the
Florence Academy of Art and others which likely helped Nerdrum receive the
right to appeal. The second trial is
scheduled for June 11, 2012 in Oslo.
Keep tabs.
Keep tabs.
There was a small article in the New York Times and a few other bits and
blogs in the States and here and there but aside from this one major article in American Artist, the media didn’t
touch the story. Of my
letters sent out to news sources and institutions asking for support almost
none were replied to. I asked
around to some of my media friends who are in the business about why they
thought this was and I heard that some people want to distance themselves from
Nerdrum who seems to make them uncomfortable. This I found amusing because since when was making one
uncomfortable with ones art something the media shied away from? That is the mission statement of most artists isn’t it? They
can gurgle homoerotic poetry with
bull whips hanging out of their asses until we are all blue in the face
but a painter who succeeds in spite of the system he is born into makes us
uncomfortable? Isn’t Ai Weiwei’s
success rooted in making people uncomfortable? A man who sunburned the letters FUCK on his chest and whose art is to fly the bird and break vases from antiquity is more disturbing to me than a man who wants to make beautiful paintings and spend time with his family. What do you say? If we can save Ai Weiwei then we can save Nerdrum.
The bottom line is that Nerdrum is arguably the best figurative painter alive, in fact Andrew Wyeth thought so and that alone should say that the Nerdrum case is important to people in America.
The bottom line is that Nerdrum is arguably the best figurative painter alive, in fact Andrew Wyeth thought so and that alone should say that the Nerdrum case is important to people in America.
Why do you
think the Nerdrum case received so little attention? Do you have preconceptions that such things could not happen in Norway? Is it not interesting? What if Nerdrum is right? I find it extremely plausible and quite an interesting story to see unfolding. Unfortunatley, I also happen to think it is possible that Nerdrum was granted an appeal to get him back in Norway so they can get ahold of him. An appeal is no guarantee that Nerdrum will go free, or even be allowed to paint if convicted.
Do you see Nerdrum's paintings as valuable? Have you seen one up close?
Do you see Nerdrum's paintings as valuable? Have you seen one up close?
(There is a show of Nerdrums right now at Forum Gallery in New York!)
Is it
because our ideas about Norway, often ranked the best country in the world, are
set and it would take a lot more than an innocent genius being stripped of his
livelihood and sent to prison to make us interested, to make us challenge our preconceptions?
We know that changing public opinion once it is formed is difficult. All the propaganda machines know that
and use it. You know it is true. Weapons of mass
destruction,
building 7, the Warren report,
echo, echo, echo…
building 7, the Warren report,
echo, echo, echo…
I want to
leave you with the most disturbing thing I have seen regarding the Nerdrum case
and one that should make us listen even closer to the tune Nerdrum is
singing.
In late
Feb. An article appeared on the on line edition of a newspaper in Norway which
is known for being outspoken against Nerdrum. The article was about undocumented explosives found on rural
farms in Norway and along with the article, by an unnamed journalist, was a
picture of the Nerdrums home. A serious and possibly illegal allegation as Nerdrum had absolutely nothing to do with anything of the sort! Nerdrum is quite famous in Norway and his house is well
known. This is a very serious
association to place in the minds of the public, especially the Norwegian public at this time, wouldn’t you agree? A few days later an apology was written
in the paper where it was stated that the farm belonged to the Nerdrums but had
nothing to do with the article. So
now they have repeated the association between Nerdrum and explosives at the same time as they deny it. That was not enough though so another
“apology” was made by the paper on line. This time a full screen shot of
another picture of the Nerdrum home, the original article headline about
explosives with the original picture of the house as well as an unflattering
picture of Nerdrum which stated,
again, that there had been an error.
Do you think that making that absurd association on three separate
occasions was an error? Could it
have been devious creative journalism in a country where they think nobody
outside will notice and if they do won’t believe it? Whatever it is it is serious business.
A few days
later the Nerdrum residence, which has been an international school for
painting these past 15 years was seized by the Norwegian authorities and
reappears in the papers.
What is
really going on here? Are these men really dangerous? To who?
Remember, Nerdrum has paid his taxes and that is not the issue here, just as it is not an issue in discussing Ai Weiwei’s situation. Do you think it is about taxes, really? I don't.
Remember, Nerdrum has paid his taxes and that is not the issue here, just as it is not an issue in discussing Ai Weiwei’s situation. Do you think it is about taxes, really? I don't.
How could
Nerdrum be a threat?
The answer is the same reason that Ai Weiwei is a threat and that is by being a successful individual and for sailing
uncharted seas without permission. Something artists in the US might still take for granted is their right and freedom to create as they choose but here are two men who are laying it on the line.
The reason
Nerdrum is important to you is that you know how valuable the freedom of speech is and to
remember that even in western, civilized
countries, it is not to be taken for granted. Keep tabs. If they require it, Should we offer assistance those whose aim is to make beauty in the world?
What if it
was the other way around?
Would you want somebody to notice if you were the canary?
Would you want somebody to notice if you were the canary?
From now
until Nerdrums appeal case is heard it is especially important that you speak up for
what you believe in. That will be
Odd’s only chance. Please sign the
petition and encourage local and national media, art groups and organizations
to give statements of support on Odds behalf, to let Norway know that you are
paying attention, and that you wish for Odd Nerdrum to continue painting.
To see available graphics by Nerdrum:
http://nerdrumgraphics.com/Graphics.html
http://freeaiweiwei.org/
To subscribe to my newsletter:
http://brandonkralik.us2.list-manage.com/subscribe?u=6f23954dcfd1794e41447998a&id=79452f0c8b
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